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How the works were chosen

Themes

Movements and schools

Polish auteur cinema

The great Polish school, moral and formal.

The Łódź film school, founded in 1948, trained for forty years film-makers who learned to say the essential under censorship. Wajda opened the way with a young resistance fighter charged with an assassination on the last day of the war, Munk filmed a camp guard facing her former prisoner, Zanussi set science before moral questions. Kieślowski, who came from documentary, drew from the ten commandments ten stories in a single Warsaw housing block. Polanski, trained there, went to build a career elsewhere after a first film aboard a sailing boat.

works 5

  • CinemaAshes and DiamondsPopiół i diamentAndrzej Wajda · 1958On the last day of the war, a young resistance fighter charged with an assassination hesitates between the order he has received and the life opening before him.Cinema
  • CinemaKnife in the WaterNóż w wodzieRoman Polański · 1962A couple and a hitchhiker on a sailing boat: three characters and the rivalry of two men.Cinema
  • CinemaPassengerPasażerkaAndrzej Munk · 1963A former Auschwitz guard believes she sees one of her prisoners again on an ocean liner.Cinema
  • CinemaIlluminationIluminacjaKrzysztof Zanussi · 1973A physics student expects science to explain the world to him, then looks elsewhere for the meaning of his life.Cinema
  • CinemaThe DecalogueDekalogKrzysztof Kieślowski · 1989The Decalogue transposed into ten stories about neighbours, in the Warsaw of the late eighties.Cinema